BEST IN CLASS: Sony FE 85mm F1.4 G Master Lens | Price: $1,798 I don’t think you’ll find a 70-105…you might want to go with the FE 24-105mm F4 G OSS ð. Great look when used wide open for shallow depth-of-field portraits. Well first off, attaching this lens to your Sony crop sensor body transforms it into a 35mm equivalent focal length with a fast f/1.8 aperture. Greatly appreciate the time you take to respond to these posts! can i use 24-240mm as my ONLY LENS for wedding CINEMATOGRAPHY on sony A7SII.. Do you recommend doing so? Optical design features low dispersion and aspherical elements to minimize both chromatic and spherical aberrations throughout the zoom range to achieve high sharpness, clarity, and color accuracy. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. FE lenses are perfectly compatible with Sony’as APS-C cameras, with no loss of image quality. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. – either tamron 17-28 f 28 or sony 16-35 f4 ?? The apodization lens element reduces light transmission to T5.6 when set to the lensâs maximum f/2.8 aperture. I like your first two lenses, so you’re off to a good start. Given this and your comments about the size and heft of the sigmas, (and I know this is a broad question as you don’t know my use case – but I am an avid hobbyist and shooting on travel, adventure trips, and an ongoing student of photography) any other lenses I should be looking at in the future? Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. As for lenses, I alway suggest starting with a mid-range zoom like the Sony FE 24-70mm f/2.8 GM or FE 24-105mm F4 G OSS. 24-70mm is a great range for portrait photography because it allows you to shoot everything from wide environmental portraits to a tight intimate portrait and this flagship Sony lens is by far the best 24-70 on the market. Meyer-Optik Gorlitz has announced a modern remake of their cult classic Trioplan 100mm f2.8 known for its dream-like soap bubble ‘bokehâ effect. Appreciate it. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). Optical SteadyShot image stabilization facilitates sharper imaging in low light situations and when shooting at long telephoto lengths. A 2X Teleconverter will drop the FE 100-400 down to F11, so unless you’re shooting with a9, that means you’ll only get Contrast AF which won’t fut it for fast moving action. Like Sony’s extremely popular FE 85 F1.8, Sony FE 35mm F1.8 offers excellent image quality at a moderate price. We will be doing combo of landscape, wildlife and some night. As i asked You, which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? Internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. Didn’t mean 70-105. BEST IN CLASS: Voigtlander Macro APO-Lanthar 65mm f/2 Aspherical Lens | Price: $999 BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 He shoots mostly motocross sports and he is looking for a telephoto lens with a low aperture for that creamy bokeh effect. I love my zooms but find them a little too heavy. Sony a7RIII + 85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Sophisticated optical design incorporates aspherical and low dispersion glass elements to control spherical and chromatic aberrations for improved sharpness and clarity. A great lens for photojournalists! Sony 24mm 1.4, Sony 35mm 1.4, or the Sony 55mm 1.8? Well, this Sony 85mm f/1.8 was the third lens I settled on. BEST BARGAIN: Sony FE 50mm f/2.8 Macro Lens | Price: $498 Its advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. Keeping this in mind as you ponder my first question… in your opinion am I better of investing in the 100-300, 70-200 f.4, or something like the tamron 150-600 w mc-11 adapter. I’d take three great lenses over 10 average quality lenses all day, every day. A wide angle zoom lens with the best image quality and can justify the price tag. Sony a7 III & a7R III will give you 10 FPS with Phase Detection AF to F8. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Let’s start with the bad news – this is one expensive lens. I wouldn’t want to drop it (obviously! While its center resolving power is not as great as on the Sony FE 35mm f/2.8, it gets pretty darn close in comparison and has much better mid-frame and corner performance: The comprehensive range of A-mount & E-mount lenses puts the power of creativity in your hands. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Yes, at a 1.5x focal length and maximum aperture multiplication. Both are good compact choices for what they are. Iâm about to purchase a new camera. Fast autofocus is provided by a linear motor that maintains quick, quiet, and smooth performance. The FE 24-105 F4 would be a better choice. Normal-length compact prime with bright f/1.8 maximum aperture. This F2.8 Super wide-angle prime is the perfect fast wide angle lens for astrophotography shots of the Milky Way. Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. Compatible with Sony FE 1.4X & 2X Teleconverters which offer the added versatility of a 560mm F4 and 800mm F5.6, Sony a9 | Sony FE 400mm F2.8 GM OSS | 1/800 | F2.8 | ISO 800 (Click to View Larger) I was going to also add a Batis 85 but I’m going to hold off on that for now and would like to be pretty set with those 3 lenses for a bit. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. BEST SPEED: Sigma 105mm F1.4 DG HSM Art Lens for Sony E | Price: $1,599 Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Coupled with its ability to soften the periphery of blurred images while enhancing the three-dimensional impression of an object with its 9.5″ minimum focusing distance. BEST BARGAIN: Sonyâs FE 85mm F1.8 Lens | Price: $598 Compatible with both full frame and APS-C format mirrorless E mount cameras. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. Incorporating an apodization lens element to create exceptionally smooth, rounded bokeh while maintaining tack-sharp focus on the subject. Optically, this is the sharpest 85mm lens under 499$ that performs also very well in almost every other category. Sony FE 24mm F1.4 GM (for a 24mm lens and that's a tie with the Zeiss Batis 2/25) Sony FE 85mm F1.4 GM. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Featuring a 135Â° angle of view, the new Laowa 9mm f/5.6 is currently the widest non-fisheye lens ever developed for fullframe mirrorless cameras. For more tips and tricks about getting the most out of your Sony a7 series camera, check out my new book âSony a7-Series: From Snapshots to Great Shotsâ. Lightweight wide-angle prime designed for full-frame Sony E-mount cameras is ideal as everyday, walkaround shooting. If youâve been patiently waiting for a 70-200 F2.8 for E-mount, this lens is worth the wait. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Sony a7S (and a7S II) will always be limited due to lack of Phase Detection AF, but Sony FE 100-400mm f/4.5-5.6 GM OSS Len is a great lens. Voigtlander 40mm f/1.2 Nokton Aspherical and Voigtlander Macro APO-Lanthar 65mm f/2 Aspherical Lens are both on the upper range of ‘affordable’ but they’re worth every penny. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. Please. Recommended to: Most that need a fast manual focus wideangle. ), and have selected what I believe are the best options for all-round use. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. I mostly shoot landscapes and mountains and the occasional casual portraits of friends. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Until they do, the best option is adapting a Canon EF 400mm f/4 DO IS II USM Lens using either Metabones T Smart Adapter V or Sigma MC-11 – not as fast as Native AF – but not bad for predictable motion like motocross. Both Super Multi-Layer and Nano Porous Coatings improve contrast and color rendering by suppressing lens flare and ghosting under harsh lighting. Autofocus features a pair of VXD linear motor units for fast, accurate, and quiet autofocus. Sony 85mm f 1.8 for portrait and indoor sports. BEST IN CLASS: Sony FE 16-35mm F2.8 GM Lens | Price: $2,198 Is there a downside to buying a full frame camera but using a non full frame lense? 70-210mm lens? The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. Highly recommended! Please help.. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Body is A7iii if I didn’t mention that already. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. RXD stepping motor enables quick, near-silent autofocus performance for stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. This lens effectively arranges three FLD (âFâ Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. A great prime lens for gimbals is Sony FE 28 F2.0, Hi Brian … is a Sony Alpha 9 II going to be Released very Soon ? Linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance. BEST MANUAL FOCUS: Rokinon 135mm f/2.0 ED UMC Lens | Price: $549 Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. If I start there, what would you recommend for wider angle and telephoto on the other end to round out my kit. You wouldn’t think it at first glance since peripheral sharpness at f/2.8 is acceptable but unremarkable. I am considering the Zeis batia 18 mm f2.8. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. One area where … Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Looking forward to hearing your thoughts on the new 600mm lenses. Are there anything that you can recommend me on what to do next? 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. Sony 50 1.4 However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. Please. I already got 16-70mm F4. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. I have: As for Hiking & Party/Wedding I have to give you different answers. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Sony FE 400mm F2.8 GM OSS is the lightest, sharpest and fastest focusing four-hundred-two-eight ever made thanks to ground-breaking lens design featuring a XD Linear focus motor! However, if weight & size is your primary concern you could go with the Zeiss Batis 135mm f/2.8. I just ordered the A7S. Its advanced optical design includes 5 aspherical elements and 1 ED glass element for reduced chromatic and spherical aberrations in a compact design. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. Sony 24 1.4 GM Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Given that combo, any other lenses I should be eyeing for the future? The apodization lens element reduces light transmission to T5.6 when set to the lensâs maximum f/2.8 aperture. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Or save up for the f2.8 GM? Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. Plz. This is a great value medium range prime lens for your FE or E mount Sony. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light. Short-telephoto, portrait prime with bright maximum aperture and advanced optical layout. BEST BARGAIN: Tamron 24mm F/2.8 Di III OSD M 1:2 Lens | Price: $349 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. BEST BARGAIN: Tamron 35mm F/2.8 Di III OSD M 1:2 Lens | Price: $349 As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. This is one of the sharpest lenses Iâve ever owned – virtually on par with the performance of the legendary $4,000 Zeiss 55mm/1.4 Otus lens yet at a perfect size for Sony E-mount cameras. Yet this lens manages to minimize size and weight without sacrificing optical performance. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. I wish Sony could have a 24-105mm F4 in FE as they have in E Mount (35mm equiv.) I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. My only lens is the Sony 85mm 1.8, as love to do portrait and the bokeh is amazing. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. 4. And no, it’s not part of their premium and pricey G Master line. Of the 3 macro lenses I own (the Samyang 100mm F2.8 macro, the Sony E 30mm F3.5 macro and this product, which I purchased in October), the Sony FE 50mm F2.8 macro produces the sharpest images of crystals--my main subject--and with better color depth than either. Thanks! I’m an one year beginner in photography. Optical design incorporates a pair of aspherical elements and one extra-low dispersion element, which help to suppress spherical and chromatic aberrations for improved sharpness, color accuracy, and clarity. venus optics laowa 15m f2.0 fpr astro – early am late pm backpacking Ha ha ha … good one, love it … so i understand Sony FE 100-400mm f/4.5-5.6 GM OSS is the way to go and add the Sony FE 1.4X Teleconverter for more reach … and how would it perform with Sony FE 2.0X Teleconverter ? I am after a Sony lens mainly for birthday parties and weddings. The Sony FE 50mm f/1.8 is at its sharpest and most uniform between f/5.6 to f/11. Joining the FE 28mm f/2, FE 35mm F1.8 and FE 50mm f/1.8 in creating an affordable lens line-up while still providing excellent optical performance. Of course, the Sony FE 400mm F2.8 GM OSS lens would do the trick but at $12,000 it’s way out of our budgets. Its optical design features Extra-low Dispersion glass elements which reduce chromatic aberrations and provide improved contrast. Best Portrait E-Mount Lenses. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Constant f/4 maximum aperture wide-angle zoom lens designed for full-frame E-mount cameras, can also be used with Sony APS mirrorless cameras. Itâs so hard to make a choice. Thank you Brian. Sony FE 100-400mm f/4.5-5.6 GM OSS which also works quite well with the Sony FE 1.4X Teleconverter if you need a bit more reach. Sony FE 100-400mm f/4.5-5.6 GM OSS is one of my absolute favorite lenses – but it’s not cheap. My body is A7iii. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! Thanks a lot for your time and reply. Hello Briam. It’s an excellent lens for the uses you describe. The lens YOU readers asked for – Sony FE 135mm F1.8 GM which may be Sony’s best lens to date thanks to fast responsive AF from Twin XD Linear Floating Focus Groups, XA Extreme and Super ED Glass for extreme sharpness and beautiful bokeh! For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of … However, for half the price, I’d recommend you check out the f/4 variants too. Given I can only go one option – for covering Africa but also making sure those dollars serve me best into the future, do you have a sense on what might be the better investment? OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. Sony a7RII | Zeiss Batis 135mm F2.8 | 1/60 sec | F5.0 | ISO 100 | (Click to View Larger). 16-35mm 2.8 GM The optical design also incorporates four anomalous partial dispersion elements and one aspherical element to control chromatic aberrations and increase overall clarity and color accuracy. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. I prefer with a zoom but someone said, get a prime and Gimbal and move instead of standing and shoot! But… always nice to have extra reach. The lens is well built and balances very nicely on every E-mount camera. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). My choice would be the Sony FE 135mm F1.8 GM which is easily the sharpest lens I’ve ever owned all the way down to its minimum focus distance thanks to its floating focus system which moves to focus groups independently. The 40mm F1.4 DG HSM Art is Sigmaâs first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. All 3 lenses display fairly heavy corner shading at the maximum aperture, approaching –2Ev, and … Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. Thank you! BEST COMPACT: Zeiss Batis 135mm F2.8 OSS lens | Price: $1,999 Dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. Trying to find a good telephoto lens for sony a7r2. Based on Samyang Opticsâ optical technology, aspherical lenses have been included to minimize aberration and unnecessary light dispersion, delivering high resolution from the center to the corners of the image. Order from B&H Photo | Venus Optics Well-suited to interior, architectural and astrophotography, the Batis 18mm f/2.8 blends its extremely wide 99Â° angle of view with a high degree of functionality. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. I plan to shoot fully manual. Linear XD Autofocus not only provides extremely fast and responsive AF and allows the lens to be lighter and smaller than the competition. 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At its sharpest and most uniform between f/5.6 to f/11 fast manual override! 6300 body I could attach use for extra reach at any focal length Sony... For interior shooting as it helps exaggerated the sense of space casual portraits of friends tactile or... Focal range | © Gold Hat photography rebates of up to $ 200 per lens purchased little lens is... Mechanism, the 35mm f/2 Biogon t * | 1/320 | F/8 | ISO 100 zoom... Own a full frame shooters fit on a full frame camera owners also own sensor. 142Mm lens, let ’ s go with the 11-blade circular aperture to produce pleasing out-of-focus areas with reasons.. Ghosting when working in strong lighting conditions short to my nephew so he could buy a Sony full frame 35mm... Stick to lenses on this list the size of the crop, whether ’! With its sharpness our readers is here people who “ know ” more 300... The majority of professionals use full frame body, it doesnât show how to use by professional photojournalists provide responsive!